Description
VOICE RECORDING, EDITING AND MIXING
Recording Studio Series – Manuals for the Sound Engineer – Book 1
Format 21 x 29 cm (A4) – Page 222
WHAT IS THIS BOOK FOR?
The manual aims to provide concrete assistance in quickly achieving professional-level results, aligned with the quality standards of the audio production industry, avoiding the use of analog outboard equipment.
WHO ARE THE RECIPIENTS OF THE MANUAL?
Mainly for semi-professional sound engineers working in Home Recording
But it can also be useful for more experienced sound engineers who want to delve deeper into the specific topic.
And finally, it is aimed at beginners, in order to help them properly learn and experiment with the principles and procedures of digital audio mixing.
Preface
With this volume I set out to provide concrete and simple help aimed at quickly obtaining professional-level results even in amateur or semi-professional production environments, such as home studios.
It covers all the topics related to vocal treatment in the sound field, during recording, editing, mixing and the preparation of vocal stems for mastering.
To complete the basic knowledge of the sound engineer, there are also some summary notes on singing and a large space dedicated to the acoustic care of the room and the optimization of the recording.
Some experienced sound engineers may smile at some of the simplifications in the exposition, aimed at making the material accessible, but perhaps they will still enjoy reading these pages as a mental "review" exercise.
This volume and many others related to phony are available on the site:
www.alessandrofois.com , to the menu Books
Manual Index
Introduction
Preface
Manual Index
CHAPTER 01
The human voice and singing
Sound and emission
Intonation and vibrato
Glissando
Vibrated
Melisma
The rhythm
The sung text
The consonants
Expression
Sound engineer and artistic director
Voice treatment
CHAPTER 02
Acoustics and shooting point
Acoustics of the recording room
First reflections
Standing waves and bass traps
Flutter echo
Reverberation times
Microphone position
Mobile panels and screens
CHAPTER 03
Record the voice
Distance from the microphone
Microphone tilt
Anti-pop and elastic support
Microphone selection
Using the microphone
The preamplifier
Choosing the preamp
Recording levels
Stereo recording of the voice
Headphone monitoring
DAW Settings
Elements of the recording session
Recording techniques
Ghost reverb
Help the singer
The takes
Corrective insert
The resumption of a choir
CHAPTER 04
Editing, tuning and montages
Basic editing
Choose & Enter
Corrective recording
Copy & Paste
Surgical editing
Erasing
Cutting
Fading and joints
Cloning transients and consonants
Dynamic Compressing & Expanding
Equalizing
Timing
Cut & Move
Time Stretching & Time Expanding
Leveling
Cleaning
Cutting
De-breathing
Tuning
Manual tuning
Intonation errors
Autotuning
Autotuning Management
CHAPTER 05
Processing the vocal in the mix
Initial management of voice volume
Tonal balance
Preventive equalization
Dynamic smoothing
Dynamic smoothing
Double compression
Parallel compression
Double parallel compression
On Face Voice Compression
Harmonic and tonal enrichment
Cosmetic equalization
Enhancement
Harmonic saturation
Limiting
De-essing
CHAPTER 06
Effects and environmental fields
Setting
Environmental resonance
Echo and Delay
Reverb
Spatiality
Direction
Sound directivity simulation
Presence and proximity
Environmental field
Standard field for soloists
Increase spatiality without reducing presence
Environmental processes
Reverb
Echo
Delay and Chorus
Other effects
CHAPTER 07
The volumes of the voice in the mix
Adjust voice volumes without touching the volume
Two types of volume tone control
Three types of dynamic volume control
Final management of voice volume
CHAPTER 08
Vocal tracks in stem mastering
What is stem mastering?
How to export stems correctly
How to work with voice stems
Addition and subtraction
Appendix
Monitoring Warning
Conclusion
Author's Biography
Copyright
Contact
EN
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